Snapshots of India

Between the spiral of modernity and attachment to millennia-old traditions, India is exploding. How can we grasp the recent evolution of this emerging global power?
Photographers and photography provide an exceptional lens through which to discover and understand, from the inside, the secrets of a country in full transformation. Through the magic of a certain intimacy, we enter a world as if stepping through the looking glass, beyond the "cliché" in both senses of the word.
On the ground and from the subjective perspective of photographers, these documentaries reveal how Indians are experiencing the radical transformations of their country.

Type (Documentaire / Documentaire fiction / Série documentaire)DocumentaryGenre en anglaisArts & culture CollectionSnapshotsWritten and directed byEmma Tassy EditingClaude ClorennecIn coproduction with ARTE France Year2015Duration4x26min

A devilishly photogenic country, India has long appeared to us as draped, even fetishized, in an aura of mysticism, contrast, and color. Exotic, postcolonial, and romantically appealing, its economic development could only be rapid, its poverty picturesque, and its landscapes timeless.

In recent decades, the evolution of this vast country, which became a democracy in 1950, has advanced on all fronts. India is booming. It has surpassed one billion inhabitants, half of whom are under 35 years old. It is innovating, exporting its engineers, and now has more billionaires than China. It is also consuming, investing in real estate, leisure, and is poised to lift the taboos inherited from a still very conservative society.

Indian photographers naturally stand as prime witnesses to the economic, social, and cultural shifts. Now, India and Indians are seeing themselves differently, through the lens of several families of contemporary photographers.

What perspectives do these photographers offer on the transformations of their society, their environment, their identities, their families?

To answer this, these films open windows onto the pioneering photographic works of present-day India. In doing so, it is no longer us who seek out a distant, spiritual, and fascinating world. It is that world, with new representations of itself, that comes to us.

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